Arts Fuse Editor
In his dozen or so works of international best-selling fiction, Haruki Murakami has created an alternate-reality Japan that is at once magical and familiar, dangerous and comfortable, foreign but Westernized.
For a polarized nation, both pre-occupied and Occupied, the musical “Angel Reapers” is an inspiring Shaker gift.
You see, Victor knows he is in a theater, telling stories. And he tells us this. His self-awareness as a performer gives him the freedom to be completely honest.
The Australian Pink Floyd Show is a tribute band, but not just any tribute band. TAPFS is considered the best tribute band in the world today, a title they have defended since 1988.
The nine tales found in “Maybe This Time” chart the unnerving psychological transformations of its characters. Its style forces us to reconsider our ways of reading and our childlike dependency on narrative authority.
Boston’s Cantata Singers opens its 48th season with an eclectic musical mix of the Baroque and the Modern.
Entertaining and provocative, this quick-witted and dreamlike evening of theater suggests that imbalances of power sacrifice individual freedoms and love. Everyone becomes a doll (master and servant) in a doll society.
Charles Busch’s plays are informed by an obsession to playfully upend iconic film genres. This time it’s the celluloid celebration of nuns, and what a divine romp it is.
Not only is TAPFS considered the best Pink Floyd tribute band, but it is argued that they are the best cover band in the world.
Portugal. The Man is nothing if not a paradox — the band is nostalgically avant-garde.
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