Arts Fuse Editor
Back To Fort Scott, a compact, affecting exhibition of meticulously printed black and white photographs, is like a grainy, retro speed bump between the museum’s adjacent galleries.
True Story relies far too heavily on answering the formulaic question ‘Did he do it?’
For these artists, African origin is the foundation that should guide the development of Cuba’s national personality and consciousness.
Arts Fuse critics select the best in film, theater, music, dance, visual arts, and author events for the coming week.
Roger Grenier wears his considerable learning lightly. His writing is a graceful dance of the intellect.
RUBBERBANDance shares some elements of the new-circus genre: a set of very specialized and spectacular physical skills, and the idea that although circusy movement can bombard the audience with thrills, it can also imply human relationships.
In an architectural sense, the Edward M. Kennedy Institute is too quiet a visual statement.
The strong connections between Andy Warhol’s early drawings and his later Pop-pieces become clear as you walk through the exhibition.
Fuse Commentary: The Value of Browsing and Discovering That the “Shit Must Stop”
Sometime you go in search of one thing, and you stumble upon something else. And maybe that newly discovered thing is something wonderful.
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