Arts Fuse Editor
Arts Fuse critics select the best in film, theater, dance, music, visual arts, and author events for the coming week.
Liars and Believers have been creating, conceptualizing, and rehearsing this show for eighteen months—and the seasoning has paid off.
The Spirit Moves is imbued with a sense of rebirth, emotional and creative, that pairs well with Langhorne Slim’s trademark barn-burning intensity.
Master of None is an exercise in emotionally intelligent storytelling that delves into the real lives of its characters.
Avoiding overly melodramatic images, The 33 is a true horror story on screen, one that we can identify with in the deep, fearful recesses of our collective subconscious.
Hub Theatre Company’s production is artfully staged in a challenging, three-quarter round space.
Arts Fuse critics select the best in film, theater, dance, music, visual arts, and author events for the coming week.
Each of the ten or so music-less sections showed us a different way of composing movement.
Postmodern Jukebox dials the clock back on contemporary pop.
Two films in the Boston Jewish Film Festival: one sticks to the commonplace, the other looks at the bizarre.
Arts Commentary: These Goosesteps Don’t Lie — Shakira in El Salvador and the “New Security” Aesthetic