Arts Fuse Editor
Liars and Believers have been creating, conceptualizing, and rehearsing this show for eighteen months—and the seasoning has paid off.
The Spirit Moves is imbued with a sense of rebirth, emotional and creative, that pairs well with Langhorne Slim’s trademark barn-burning intensity.
Master of None is an exercise in emotionally intelligent storytelling that delves into the real lives of its characters.
Avoiding overly melodramatic images, The 33 is a true horror story on screen, one that we can identify with in the deep, fearful recesses of our collective subconscious.
Hub Theatre Company’s production is artfully staged in a challenging, three-quarter round space.
Arts Fuse critics select the best in film, theater, dance, music, visual arts, and author events for the coming week.
Each of the ten or so music-less sections showed us a different way of composing movement.
Postmodern Jukebox dials the clock back on contemporary pop.
Two films in the Boston Jewish Film Festival: one sticks to the commonplace, the other looks at the bizarre.
I just have to use all my personal musical experience — classical music and jazz and rock and electronic sound — and not worry about where it fits.
Arts Remembrance: Sonny Rollins, Jazz’s ‘Saxophone Colossus,’ Dies at 95