Arts Fuse Editor

Theater Review: A Provocative “Threesome” from Apollinaire Theatre Company

April 20, 2016
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Threesome is sharply written, bitingly funny, and ultimately devastating.

Dance Review: Companhia Urbana de Dança — Hip, Hipper, Hippest

April 19, 2016
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Companhia de Dança of Rio de Janeiro applies a suggestion of narrative to the standard revue format..

Film Review: Girls on Film — “Starless Dreams” and “Audrie & Daisy”

April 18, 2016
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Two new documentaries about teen girls offer much-needed doses of realism and illumination.

Fuse Coming Attractions: April 17 through 26— What Will Light Your Fire This Week

April 17, 2016
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Arts Fuse critics select the best in film, theater, dance, music, visual arts, and author events for the coming week.

Visual Arts Review: Cyberarts Presents the Beauty of BioArt

April 15, 2016
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Membrane: Biology and Art is a wonderfully conceived and curated show.

Fuse Film Review: A Kibosh on “Krisha”

April 15, 2016
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Krisha feels as if it was pretty much made-up-on-the-spot, the narrative’s improvisations left in the hands of clueless amateurs.

Theater Feature: Willing Suspension Productions Celebrates “The Sea Voyage” and a Glorious Anniversary

April 15, 2016
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Willing Suspension Productions serves as a valuable counter-balance to American academia’s Shakespeare-centric curriculum.

Fuse Music Review: Iggy Pop Live at the Orpheum — Senescence Be Damned

April 13, 2016
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Senescence be damned: whether this was his last tour or not, Iggy proved he’s still got what it takes to play great rock and roll.

Theater Review: “Can You Forgive Her?” — Not Really

April 12, 2016
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Gina Gionfriddo’s would-be black comedy about the American worship of money and status is a misfire on all levels.

Film Review: “Demolition” — Destruction Made Fascinating

April 11, 2016
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Demolition eschews the conventional, spinning its way to a completely unforeseen yet beautifully apt conclusion.

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