Arts Fuse Editor
Black Sabbath wasn’t reaching out to the rebels or the hippies; instead, the band catered to the outsiders and the misfits.
This fledgling stage troupe aspires to raise a call to arms.
There is an elemental democratic impulse in Todd Oldham’s work: for him, everyone deserves beauty and every outfit deserves to catch the eye.
The Get Down has the tragic resonance it deserves, though Baz Luhrmann pulls back from confronting the narrative’s political implications.
We’re very fortunate that this kooky cinematic icon finds the internet interesting; this film is one of the most interesting documentaries of the year so far.
Jay McInerney’s characters may live on exotic mixed drinks and fine wines, but they still suffer moral dilemmas and have consciences they cannot silence.
The quest for answers about Kitty Genovese’s murder is really just a red herring for a much more personal journey.
There’s one thing both Robinson brothers lack outside of The Black Crowes: creative tension.
I used to be skeptical of della Robbia sculpture but, after taking in the recently opened exhibit at the Museum of Fine Arts, I changed my mind.
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