Arts Fuse Editor

Film Review: “The Dying of the Light” — Cinema’s Fading Glory

April 8, 2016
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While there are some folks younger than 30 who are eagerly learning this dying art, most of the projectionists are what we could sadly call a dying breed.

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Fuse Preview: Singer/Songwriter Leyla McCalla at Atwoods Tavern — Sensuous Smarts

April 8, 2016
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Vari-Colored Songs was the sweetest boost anyone has given Langston Hughes in decades.

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Book Review: Christopher Hitchens — Final Stings From the Gadfly

April 8, 2016
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These pieces could have been written yesterday, which speaks volumes about the eternal recurrence of the moronic inferno of the political.

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Film Interview: A Brief Conversation with Filmmaker Peter Flynn

April 7, 2016
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The Dying of the Light looks at the history of film projection by way of the projectionists themselves.

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Film Interview: Saving Serious Cinema Conversation, One Salon at a Time

April 4, 2016
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“I didn’t want to do anything more then hang out, watch films, have a few drinks and talk about movies.”

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Fuse Coming Attractions: April 3 through 12 — What Will Light Your Fire This Week

April 3, 2016
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Arts Fuse critics select the best in film, theater, dance, music, visual arts, and author events for the coming week.

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Film Review: “Take Me to the River” — Morality in the Midwest

April 3, 2016
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Being a gay teen trapped on a rural farm among homophobes who suspect you’re a child molester is a terrifying situation.

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Arts Interview: Editor Erin Amar on 5 Years of “Rocker” — A Zine for “Rockers of a Certain Age”

April 1, 2016
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“Maturity, if you’re doing it right, means caring less and less what other people think – you just are who you are.”

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Dance Review: Trajal Harrell — Dragging the Greeks

March 31, 2016
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Twenty Looks has put a lot under its belt since Trajal Harrell began his research. It’s bigger now, but I’m not sure it’s any more profound.

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Dance Review: The Dream Project II — “Luna Soul,” Eastern Narrative Meets Western dance

March 28, 2016
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Trained in both Eastern and Western dance styles, Artistic Director Chun-Jou Tsai aims to bridge these two cultures.

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