Arts Fuse Editor
IRNE critics argue about what we think are the best, the brightest, and the most award worthy of these dozens and dozens of productions.
Sara Baume’s sophomore novel insists that we rethink the value of empathy: depend on it, yes, but also be suspicious.
There are documentary films for all tastes this year.
Arts Fuse critics select the best in film, dance, theater, music, and author events for the coming weeks.
While calling this Ben Wheatley’s most violent film may be debatable, Free Fire is absolutely the one most riddled with gunshots.
What could easily have become a dense, jargon-filled work of cultural psychology instead reads like a thoughtful conversation.
Martín Espada’s lyricism sings deeply in the key of loss, turning the anguish of social and personal histories into hope.
Paradise‘s central conflict and the performances in the Underground Railway Theater production are damn good.
Klaus Merz’s cunning, compressed prose invites us to listen for the sounds of the inexpressible, the other side of life.
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