Arts Fuse Editor
Get Out owes much to the small but precious film genre that dares to cultivate bizarre and hip satire.
Olivia Kate Cerrone tells this story in raw, blunt terms, in a naturalistic mode worthy of Zola.
The Boston Conservatory production of Mass was mostly frustrating, but Leonard Bernstein’s score came across very strongly.
temping is a strange and experimental beast, and I look forward to seeing where this type of interactive experience goes next.
Arts Fuse critics select the best in film, dance, theater, music, and author events for the coming weeks.
These trio of releases from pianist Satoko Fujii are exciting snapshots of a jazz daredevil in action.
In a surprisingly quick 100 minutes, this smart play forces us to confront our own preconceived notions about good and evil.
Wakka Wakka’s puppetry skills are highly impressive, its staging inventive and undeniably entertaining.
Frantz explores the complicated emotions generated by the aftermath of a catastrophic war.
Theater Commentary: Resist Trump? Boston’s Stages Opt Out
Resistance, at least in Boston theater, is futile.
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