Arts Fuse Editor

Book Review: “Rapture” — Modernism, Daredevil Style

May 21, 2017
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Rapture is a worthwhile curio that grapples, entertainingly, with Modernism’s artistic, structural, and revolutionary quandaries.

Coming Attractions: May 28 Through June 6 — What Will Light Your Fire

May 21, 2017
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Arts Fuse critics select the best in film, dance, theater, music, and author events for the coming weeks.

Theater Review: “Arrabal” — The Triumph of the Tango

May 20, 2017
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In essence, Arrabal is a celebration of Argentina’s wonderful dance tradition, the Tango.

Theater Review: “Dead Man’s Diary” — Dare to Enter

May 17, 2017
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This production’s approach to Bulgakov’s source material is refreshing in its directness; it’s also bursting with visual and auditory inventiveness.

Dance Review: Beth Gill’s Passages

May 16, 2017
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Offering a carefully calibrated, nearly static universe, Beth Gill relies on the audience’s imagination to fill in any question marks

Dance Review: Classical, Three Ways, at Boston Ballet

May 10, 2017
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All of three of these ballets adapted the classical vocabulary and demonstrated that constant evolution is what keeps classicism alive.

Visual Arts Review: “Matisse in the Studio” — Collectibles and Creativity

May 9, 2017
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We are given a priceless opportunity to see how Matisse’s mind worked and the ways his creative process unfolded.

Coming Attractions: May 14 Through 21 — What Will Light Your Fire

May 7, 2017
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Arts Fuse critics select the best in film, dance, theater, music, and author events for the coming weeks.

Film Review: “A Dark Song” — An Occult Foray into Quiet Horror

May 5, 2017
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A Dark Song’s terror lies in its slow, intense build and its overarching sense of doom.

Dance Review: Short Story Long — Boston Ballet’s “The Sleeping Beauty”

May 4, 2017
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This Sleeping Beauty teaches the audience that fussy costumes and wigs and long-winded storytelling are the apex of ballet.

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