Arts Fuse Editor
At the heart of The Women Who Mapped The Stars is a drama about the desire of significant female astronomers to be heard and respected.
There is real suspense and pathos in this political drama, beneath the standard cinematography and pacing.
The performance’s excellent musicianship and many amusing moments were at the service of a relevant evening of commentary on the lighter side of the current news cycle.
An intriguing cross-disciplinary concept gave birth to a pallid, underrehearsed production.
Shining leads make up for a problem play that, in this production, has been further problematized.
The Villains’ Supper Club supplies an engaging and funny twist on the superhero mythos, plus a smart, refreshing look at the tribulations of working mothers.
For me, the experience of watching Roseanne is annoying and unpleasant.
The Boston Symphony Chamber Players gave a very satisfying performance of eclectic musical material.
As part of its 150th anniversary celebration, NEC commissioned Anthony Coleman to compose a large-scale work he has named Streams.
Nausheen Eusuf’s deep affection for language and sound is omnipresent.
Recent Comments