Arts Fuse Editor
Arts Fuse critics select the best in film, dance, visual arts, theater, music, and author events for the coming weeks.
With sufficient revision, Marisa Smith’s genial farce could well command the rom-com slot virtually every regional and community theater in the world yearns to fill.
Local examples of immersive aesthetic and sensual experimentation as forms of cultural experience.
At the heart of The Women Who Mapped The Stars is a drama about the desire of significant female astronomers to be heard and respected.
There is real suspense and pathos in this political drama, beneath the standard cinematography and pacing.
The performance’s excellent musicianship and many amusing moments were at the service of a relevant evening of commentary on the lighter side of the current news cycle.
An intriguing cross-disciplinary concept gave birth to a pallid, underrehearsed production.
Shining leads make up for a problem play that, in this production, has been further problematized.
The Villains’ Supper Club supplies an engaging and funny twist on the superhero mythos, plus a smart, refreshing look at the tribulations of working mothers.
For me, the experience of watching Roseanne is annoying and unpleasant.
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