Arts Fuse Editor
An intriguing cross-disciplinary concept gave birth to a pallid, underrehearsed production.
Shining leads make up for a problem play that, in this production, has been further problematized.
The Villains’ Supper Club supplies an engaging and funny twist on the superhero mythos, plus a smart, refreshing look at the tribulations of working mothers.
For me, the experience of watching Roseanne is annoying and unpleasant.
The Boston Symphony Chamber Players gave a very satisfying performance of eclectic musical material.
As part of its 150th anniversary celebration, NEC commissioned Anthony Coleman to compose a large-scale work he has named Streams.
Nausheen Eusuf’s deep affection for language and sound is omnipresent.
A wide-ranging slate of documentary features on display in this year’s Independent Film Festival Boston. Here’s a sampling of a few of the standout films coming up.
What starts off as a rollicking entertainment ends with a flourish of profundity.
Wild Wild Country details the insane clusterfuck that results when faith, fundamentalism, and media hype intersect.
Recent Comments