Arts Fuse Editor
Do the games of the Marquise and Valmont still have the same old sinful fire and political relevance?
The Fuller Craft Museum’s appealing and thoughtful exhibit showcases a wonderful assemblage of diverse utensils and accessories used in domestic as well as professional kitchens.
Flat Earth Theatre has made a bold and relevant programming choice, taking on a play that examines how technology can both shape our illicit desires and fulfill them with ease.
In contrast to the contrived food shows of today, Anthony Bourdain brought class and vigor as well as creativity to his fascinating stories of food and travel.
John Prine’s music on The Tree of Forgiveness is alert and nimble – not at all a retreat to the folkie bar.
Apart from a few weak elements, GBS’s Calendar Girls is a well-acted, well-staged comedic romp filled with wit, warmth, and genuine insight.
A chance to see two important works by pioneering African-American filmmaker Bill Gunn.
Perhaps the idea is for the listener to come up with their own ideal blend, sort of a mix and max approach regarding the strengths in each disc.
Convenience Store Woman is an achievement — a satiric look at a mind that is intent on remaining empty.
Book Commentary: “Fahrenheit 451” and Cultural Betrayal
It never occurs to him that, by championing just the great works of Western Civilization and consigning pop culture (notably science-fiction) to the flames, he’s exercising his own pernicious brand of censorship.
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