Arts Fuse Editor

Classical CD Review: “Desires: A Song of Songs Collection” — Sensual Joy

April 26, 2019
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Desires will surely solidify ORA Singers’ reputation as a first-class choral ensemble.

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Jazz CD Review: The Art Ensemble of Chicago — Still Out on the Edge

April 25, 2019
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Amid the continual flood of new jazz releases, this anniversary bash is one to be savored.

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Film Preview: Independently Ours — IFFBoston Celebrates Another Year of Community

April 24, 2019
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As always, IFFBoston’s Executive Director Brian Tamm and Program Director Nancy Campbell have curated a stellar lineup of films that promises to represent the very best of current American and international cinema.

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Film Interview: “Ira Gitler Lives” — From Bret Primack, Jazz Documentarian Extraordinaire

April 24, 2019
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“The half-hearted support of jazz by American broadcast TV, be it commercial or PBS or cable, has been an insult not only to the artists, but to the public as well.”

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Arts Fuse Podcast #14: Dialectics of Politicized Art, or the Intellectual History of White Men in Cars

April 23, 2019
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The Arts Fuse welcomes a new character to its extended universe. Deanna Marie Costa, an editor and critic at the magazine.

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Music Interview/Review: Nervous Eaters – Back for Another Helping

April 23, 2019
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Luckily for us, after playing the occasional electrifying concert date over the years, Nervous Eaters is reuniting once again.

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Film Review: “High Life” — Messy, Earthy Existentialism, In Outer Space

April 21, 2019
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In space, no one can hear you go extinct.

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Coming Attractions: April 21 through May 7 — What Will Light Your Fire

April 20, 2019
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Arts Fuse critics select the best in film, dance, visual art, theater, music, and author events for the coming weeks.

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Book Review: “In Search of Stonewall” — Illuminating Queer History

April 19, 2019
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The essays here give readers an eyewitness glimpse into mid-century queer life will intrigue (if not shock) younger LGBT+ people.

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Jazz CD Review/Commentary: Holly Cole — Sticking to the Standards

April 18, 2019
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I did want to use this CD as a springboard to engage with the question of how using material of a certain age tends to pre-select — and limit — listenership.

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