Arts Fuse Editor
Bedlam’s provocative production of The Crucible has a purpose — to urge us all to stand up and shout down the devils in our midst.
Arts Fuse critics select the best in film, dance, visual art, theater, music, and author events for the coming weeks.
Three remarkable films that promise a bumper crop of world cinema yet to come at the NY Film Festival.
Veteran guitarist Jimmy Herring and the 5 of 7 play groove-heavy tunes that barrel into unexpected and interesting places.
Reading The Sweetest Fruits is like looking at the back of an oriental rug in which the pattern is rather more indistinct than the front but the colors much richer and more vivid.
Emily Remler took a particularly clear-eyed view of her work. She didn’t want to be judged by a lesser standard because she was a woman in the overwhelmingly male world of jazz.
This clever Japanese zombie film is a spirited attempt to blow up and reinvigorate the genre.
One of Saint-Saëns’s most important operas, Proserpine, has recently been given its world-premiere recording, and the result is a revelation.
Thankfully, public art has become much more than murals for blank wall spaces.
Music Commentary: Ken Burns’ “Country Music” — Superb Cinematic Storytelling
Country Music digs into the rich, deep dirt of a music with a complicated past, a hybrid genre soaked in soulful suffering, twangy glory, and times both high and tough.
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