Arts Fuse Editor
It may sound oxymoronic, but the Bosstones scream, shout, and agitate for common decency.
Our theater critics pick some of the outstanding productions of the year.
The Legacy Museum draws on a passionate and visceral mix of architecture, graphics, text, art, music, video and spoken word to prove that — ever since the time of slavery — white views on race have distorted the presumed fairness of our legal system.
The Boston Dance Theater’s talented group of dancers spent much of the performance nervously twitching and swaying.
A fresh, bracing take on Beethoven as a dramatist, Tesla Quartet serves up refreshingly direct and emotionally-complex performances of Mozart, and flautist Emmanuel Pahud has crafted an ear-catching, unpredictable program.
In this valuable call-to-action, Roger Hallam says we have to recognize that climate change is an emergency and rebel against our extinction.
Our expert music critics serve up their usual highly eclectic round-up of the year’s most memorable.
Billy Strings is deservedly catching fire with a unique blend of mind-snapping talent as a guitarist, deep appreciation for tradition, appetite for improvisation and experimentation, and ever-improving songwriting.
Bombshell takes a stand, looking to portray its besieged women as complex, flawed human beings who also happen to be the victims of sexual harassment.
Film Feature: Best Movies (With Some Disappointments) of 2019
Our demanding critics choose the best (and the most disappointing) films of the year.
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