Arts Fuse Editor
Maytag Virgin accomplishes what it sets out to do and then some: it is a compelling two-hander about grief and romance that explores how the two emotions can intermingle.
Apart from Claudio Roditi’s musical skill, what stood out was his warmth.
Another operatic version of Oscar Wilde’s one-act love triangle that ends with the woman’s husband murdering her lover, to her enraptured delight.
Unfortunately, no improvements to the staging will clarify dramatist David Greig’s muddled storyline.
What you will be impressed by is the strength of the interior thinking, the detailing of the voices sorting out their confusion.
Salome is not the only strong opera based on an Oscar Wilde play. This one-acter by Zemlinsky deserves a place in the repertoire today.
L. M. Brown knows there are certain questions in life that we just never get the answers to. Or dare to ask.
Les Misérables invites us to ponder, in real time, how people respond in a chaotic, dangerous situation.
In this disc dedicated to black heroes of the Civil Rights Movement, Christian McBride insists that everyone must be free if any of us is going to be.
Music Commentary: New Media, Jazz, and Camille Bertault
Camille Bertault is an uncommon talent. She has a crystalline voice, good intonation, understands the rhythmic and harmonic underpinnings of jazz and has a prodigious memory.
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