Arts Fuse Editor
In this disc dedicated to black heroes of the Civil Rights Movement, Christian McBride insists that everyone must be free if any of us is going to be.
I’m not sure Can You Imagine? will be able to summon back Dizzy Gillespie from the great beyond, but it’s not a bad way to pass the time while we wait.
If one of the aims of art is to create a distinctively imaginative world, than Pass Over succeeds in generating a landscape of devastation, a hopeless place filled with gaping wounds and visible scars.
This BBC/Netflix production is an audacious rekindling of the undying appeal of literature’s most famous vampire.
The Effect is about the brain, pharmaceuticals, and how little we know about each.
A world-premiere recording of Siroe, King of Persia makes it clear that Leonardo Vinci (1690-1730) was as fine a craftsman as the painter with a similar name.
Dramatist Bekah Brunstetter sidesteps easy answers and pat revelations to produce a nuanced comedy about people coming to terms with who they are and where they are from.
After 61 years – and a slew of rule changes and category alterations – the Grammys remain the most philistine of our major shiny statue ceremonies.
Melody is one of the things that keeps a song from floundering, no matter how in-your-face its rhythm and chord structure might be, which is something a lot of spunky punk bands tend to forget. The Damned always kept that well in mind.
Music Commentary: New Media, Jazz, and Camille Bertault
Camille Bertault is an uncommon talent. She has a crystalline voice, good intonation, understands the rhythmic and harmonic underpinnings of jazz and has a prodigious memory.
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