Arts Fuse Editor

Film Review: “Swallow” — Unknowable Appetites

March 14, 2020
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This carefully-crafted chamber piece revolves about a woman whose compulsion to eat non-edible things is both fascinating and disturbing.

Album Review: Tame Impala’s “The Slow Rush” — Inspired by the Passage of Time

March 13, 2020
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At its best, The Slow Rush features catchy, energetic, and danceable tracks at the service of lyrical ruminations on dark topics, such as uncertainty and the inevitable passage of time.

Theater Review: “Pipeline” — A Didactic Excursion

March 11, 2020
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Dominique Morisseau’s earnest Pipeline is a “message” play, American style.

Dance Review: Camille A. Brown & Dancers — Ease, Grace, and Jubilation

March 10, 2020
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It was a treat to see Camille A. Brown & Dancers inhabit (and elaborate on) a number of different African American dance traditions with such winning ease and grace.

Jazz Album Review: “Lennie Tristano: The Duo Sessions” — A Unique Musical Language

March 9, 2020
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Listeners familiar with Lennie Tristano’s earlier work will find there are a few surprises on this disc.

WATCH CLOSELY: “Luna Nera” — Witch Hunt!

March 9, 2020
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Luna Nera is mainly produced and written by women and proffers a satisfyingly feminist, woman-centric aesthetic — as witch narratives seem to do more and more these days.

Coming Attractions: March 8 Through 24 — What Will Light Your Fire

March 8, 2020
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Arts Fuse critics select the best in film, dance, visual art, theater, music, and author events for the coming weeks.

Concert Review: Christone “Kingfish” Ingram — A Rising Star, For Real

March 6, 2020
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At 21, “Kingfish” Ingram is being heralded as the blues’ brightest new star. And at his first headlining gig in Boston he earned the title.

Books Commentary: Chronicler of Boston Crime — The Case for George V. Higgins

March 5, 2020
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George V. Higgins created a style that was at first revelatory, then degenerated into a tic at the end of his career.

TV Review: “Gentefied” — Cultural Decimation, Courtesy of Real Estate

March 5, 2020
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Netflix’s newest comedy is a hilarious — though pointed –look at one of America’s biggest problems.

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