Arts Fuse Editor

Dance Review: Boston Ballet’s “rEVOLUTION” — The Art of Evolution

March 4, 2020
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Boston Ballet’s rEVOLUTION is memorable because of its duel commitment: it is both enormously entertaining as well as edifying.

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TV Review: “On My Block” and “Elite” — Keeping It Real

March 3, 2020
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Both shows feature characters that are forced to grow up and deal with real-world hardships (including…death) too young.

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Film Review: “Beanpole” — Hardship Rendered in Searing Color

March 1, 2020
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Beanpole is infused with a profoundly tender intimacy, interspersed with stark portrayals of pain, cruelty, and sacrifice.

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Visual Arts Remembrance: Farewell to a Light Artist — John Powell

March 1, 2020
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It seems quite fitting for an artist of light to leave a gallery show filled with his distinctive multimedia light art. Memories of John Powell, like his art, will continue to glow, brightly.

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Television Review: “McMillion$” — Big Mac and the Big Con

February 28, 2020
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HBO’s McMillions is a fun and light documentary, but it doesn’t deliver more than the momentary satisfactions of fast food.

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Food Commentary: The Chicken Sandwich Wars — Political Food Fight Revisited

February 28, 2020
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I confess that I was one of those schmucks who tried (and failed) to stay vigilant in my high-minded refusal to eat at Chick-fil-A.

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Concert Review: Vinicius Cantuária at Scullers

February 27, 2020
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Vinicius Cantuária and band offered a night of close-listening interaction between musicians with ears wide open.

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Theater Review: “Nina Simone: Four Women” — Theater of Social Concern

February 27, 2020
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There’s much to admire and appreciate about this MRT production; but the play’s lack of a solid dramatic spine is a crippling problem.

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Opera Review: Beethoven’s “Leonore” — Upcoming Performances in New York City

February 27, 2020
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Music lovers should seize this rare opportunity to see Beethoven’s first (1805) version of Fidelio, complete with a reconstruction of Florestan’s original aria.

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Theater Review: “A Tale of Two Cities” — Beware the Revolution!

February 27, 2020
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Given Dickens’ penny-a-word driven verbosity and his fondness for resolving every plot point with a flurry of coincidences, adapter McEleney seems undecided: is this history play a tragedy or a farce?

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