Arts Fuse Editor

Shelter in Place Attractions: June 28 through July 14 — What Will Light Your Home Fires

March 22, 2020
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In the age of COVID-19, Arts Fuse critics have come up with a guide to film, dance, visual art, theater, and music — mostly available by streaming — for the coming weeks. More offerings will be added as they come in.

Book Review: “You Will Never Be Forgotten” — Curiouser and Curiouser

March 20, 2020
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Whatever might be dark about these stories may also be — since they’re reliably witty and frequently very funny — a welcome distraction and relief from current events.

Opera Album Review: Rossini’s Pre-fab Opera, “Eduardo e Cristina,” Turns Out to Be First-Rate

March 19, 2020
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The practice of re-using large chunks of an opera for a new plot and new words may sound implausible to us, but in Rossini’s hands the result is delightful and surprisingly coherent.

WATCH CLOSELY: Peg’s Pandemic Picks — Medieval Plague Edition

March 18, 2020
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This new series will offer ideas for movies and series that have stories or themes at least marginally related to the pandemic we’re all living through.

Jazz Commentary: Remembrance of Jazz Venues Past

March 18, 2020
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The idea of posting this list is to remind people of what has been lost and hope that it stirs us to preserve what we have left.

Arts Commentary: The Show Won’t Go On. Now What?

March 14, 2020
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Wall Street is getting a $1.5 trillion bailout (and counting). As usual, the arts, despite being a key economic engine, will not be so lucky.

Film Review: “Swallow” — Unknowable Appetites

March 14, 2020
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This carefully-crafted chamber piece revolves about a woman whose compulsion to eat non-edible things is both fascinating and disturbing.

Album Review: Tame Impala’s “The Slow Rush” — Inspired by the Passage of Time

March 13, 2020
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At its best, The Slow Rush features catchy, energetic, and danceable tracks at the service of lyrical ruminations on dark topics, such as uncertainty and the inevitable passage of time.

Theater Review: “Pipeline” — A Didactic Excursion

March 11, 2020
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Dominique Morisseau’s earnest Pipeline is a “message” play, American style.

Dance Review: Camille A. Brown & Dancers — Ease, Grace, and Jubilation

March 10, 2020
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It was a treat to see Camille A. Brown & Dancers inhabit (and elaborate on) a number of different African American dance traditions with such winning ease and grace.

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