Arts Fuse Editor
Filmmaker Oliver Stone’s memoir is an exhilarating primer for anyone who wants to understand his reputation as a writer and director.
Grétry’s Raoul Barbe-Bleue — the story of the original lady-killer, Bluebeard — receives its world premiere recording and it’s splendid.
In no way a ‘tale told by an idiot, signifying nothing’, Pew is instead a kind of reverie, a wide-eyed spin on the Southern novel.
The documentary is about “the power of the community and how rock and roll, and music in general, is worth fighting for: sometimes that means doing it yourself.”
She Dies Tomorrow marries the avant-garde with slice of life, jumping from death throes to conversations about dolphin sex over full glasses of red wine.
Is it any wonder? An opera that angered Louis XIV in 1677 brings enormous pleasure in 2020.
This debut film from Romola Garai is to be commended on all levels: its technical proficiency, its aesthetic beauty, its affecting and unusual story, and its stand out performances.
Love on the Spectrum is a trailblazing docuseries that dismantles myths about autism and romance.
The final, ineluctable quality that Ornette Coleman brought to the table was that he had an individual “voice,” which is the sine qua non and preeminent ethos in jazz.
Arts Remembrance: Director Alan Parker — A Sensitive and Versatile Master of Film
It gradually became clear to me by the mid-’80s that Alan Parker films were, more than those of any other filmmaker, an integral part of my identity as a film lover.
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