Arts Fuse Editor
There’s a larger story to tell about black composers and musicians breaking into the film and TV business, but its only lightly touched on here.
A pair of beauties: an Eric Revis quintet album and a solo excursion from Chick Corea.
What comes through most resonantly in Apples is its envisioning of a society starting over, and its suggestion that a clean slate, accepted honestly, might not be the worst thing.
Antônio Carlos Gomes’s Lo Schiavo (The Slave) receives its first major recording — and stakes its claim in the repertory.
Feels Good Man is a provocative, entertaining, and moving documentary about an artist trying to retain his identity along with the innocence of the cartoon character he created.
Long live Fluxus, with its questionable boxes of ephemera, its baggy bags of soil, and its mad prankster sensibility.
Humankind, at the very least, compels us to rethink fashionably pessimistic assumptions about human nature.
For some reason, Aggretsuko riffs on Japanese idols in its third season, and the shift makes the show less appealing.
A Mother Cow of jazz iconoclasts takes on German lieder, because why not?
Down in the Weeds, Where the World Once Was is a natural next step forward for Bright Eyes, evolving while remaining true to their core identity.
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