Arts Fuse Editor
Considering the show’s uneven writing, there’s no certainty that Genera+ion will last longer than a viral TikTok video.
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The conversation between Ravi and his mother is funny, engaging, and often illuminating; their real life bond is palpable as the pair try to reconcile the young man’s hopes and dreams with his Indian heritage.
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These two performances showcase a group of instrumentalists whose collective musicianship is electrifying: full of just the right combination of wonder, play, and discovery this much-loved repertoire needs in order to sound fresh and truly come to life.
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Radiating a shaman-like mysteriousness, Maria Schneider prowled the performance space, calling forth dark twists and turns from the collective while summoning anguished expressions from the soloist.
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SpeakEasy Stage Company has (once again) chosen a bold script for its audience.
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Performed 1600 times in Paris, then forgotten, Hérold’s brilliantly witty, Le pré aux clercs shines again in a splendid recording.
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This debut novel concentrates on the vagaries of desire, but in a spare, uncomplicated, and natural fashion that sets it apart from any formulaic romance.
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Musicians active in Boston, Washington DC, and Australia discover previously unrecorded gems, including works by women composers and composers of color.
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Here’s yet one more fantastic thing about it no longer being 2020: it’s now the 50th anniversary of the excellent music that premiered in 1971.
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Cultural Commentary: Arts Institutions, Unions, and the Pandemic
It behooves audiences to be aware of how workers in the arts organizations they frequent are treated and whether management is operating in good faith.
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