Debra Cash
If calculating pi to a far-off-integer isn’t for you, TAO Dance Theater’s baffling kinetic exploits may seem less like an incredible journey than a trudge to a dead end.
Read MoreI get why Compagnie Käfig’s Correria/Agwa has been booked onto stages in 15 countries and counting. But the troupe’s polished athleticism comes at the sacrifice of hip hop dance’s precious anarchy.
Read MoreDancer Wendy Whelan will not be appearing under the auspices of the Celebrity Series of Boston as planned.
Read MoreArts alert for readers in the Pioneer Valley.
Read MoreNo amount of postmodern theory can paper over the fact that a half-baked cake, even one made with tasty ingredients, fails to satisfy.
Read MoreWith a Stephen Sondheim show, it’s all in the casting, and Emmanuel Music’s casting was a mixed bag.
Read MoreJohn Tiffany’s Tony-winning direction of “Once,” restaged for the current tour, is a miracle of judicious rhythmic choices and deft transitions.
Read More“Lon Chaney is just a master,” says Roger Miller of The Alloy Orchestra, “and the film ‘He Who Gets Slapped’ has everything that he’s great at.”
Read MoreAll was well — at moments, thrilling — until the credits rolled. Then the Regal did what it always did: it launched its terrible muzak.
Read MoreObservers have often commented that NEA money goes disproportionately to large cultural institutions, and that continues to be true, but those investments are dispersed among disciplines and geographies.
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