Debra Cash
Carrying cacti around the stage in boxes and placing them on their heads and in predictably suggestive positions, the Boston Ballet dancers looked like they were having a blast
Fred Turner’s counterintuitive and subtle argument in The Democratic Surround draws a direct line between the design of museum exhibitions and the Be-Ins of the Summer of Love.
Artists, Writers, Thinkers, Dreamers: Portraits of 50 Famous Folks & All Their Weird Stuff is a weird cartoon bait-and-switch.
As we freelancers like to say, you can die from exposure.
Comic genres don’t die; they just become niche markets.
British Pathe’s 85,000 (some sites say 90,000, but who’s counting?) newsreels are now online.
“Falling Out of Time” is a book that gives all the truth that Israeli writer David Grossman can deliver, and far more intimacy than we strangers who are his readers have earned.
Israel’s Nalaga’at Theater Deaf-Blind Acting Ensemble, whose name translates to “Do Touch,” is on a U.S. tour that included a side visit to the White House.
The Fuse doesn’t usually publicize auditions, but it’s news that Debbie Allen is swinging through Boston this week seeking young dancers between the ages of seven and 22.
Fanny Lou Hamer’s life and the political struggle, which gave us the Voting Rights Act, is the basis of Mary Watkins’ two-act opera.
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