David D'Arcy
In this illuminating show you’ll recognize the state that (for now) is home to Donald Trump and was the habitat for Jeffrey Epstein and a wide range of other dangerous creatures.
A reviews of a trio of standout films at this year’s New York Film Festival: Mati Diop’s “Dahomey”, Marta Mateus’ “Fogo do Vento”, and Jem Cohen’s “Little, Big, and Far”.
Three fine documentaries at the NYFF: two delved into political matters, the third looked around New York City in 1965.
Two closely watched films in Toronto were dark dramas that couldn’t have been more different.
“The Bibi Files” is a documentary that should be seen before its revelations, caught on tape, are overtaken by a larger war; the Palestinian no-budget drama “To a Land Unknown” presents a credible picture of refugee life.
The Toronto International Film Festival (TIFF) had much to offer this year, once you walked through construction debris to get to the theaters. Here are some films worthy of note.
Beyond rich allusions to the past, Jeremy Frey and his generation of basket-makers are also creating objects that will leave your eyes spinning.
This summer’s installation of new sculptures is evidence that creative interventions in nature can be harmonious.
This is the first US museum exhibition for Paula Modersohn-Becker, and one of the crucial shows to see in New York this summer.
Two standouts at this year’s Tribeca Film Festival: “Bikechess” and “Made in England: The Films of Michael Powell and Emeric Pressburger”.
The Annual Francis Davis Jazz Critics Poll at Mid-Year: Warming Up a Riff — How It Happened, and Why It Matters