David D'Arcy
As with so many Frederick Wiseman films, we get color, character, sociology – and cinema.
Read MoreGagosian Gallery’s show Picasso & the Camera is the art bargain of the season.
Read MoreTadao Ando’s new Clark, minimalist in its materials and understated presence, is more Zen than a billboard for its disparate architectural elements, more harmony than postmodern dissonance.
Read MoreBy the end of the documentary, you’re in no doubt that Whitey Bulger was beneath dignity. Though not in his own eyes. There’s even vanity left in a crook who trims his white beard so scrupulously.
Read MoreFuturism, as the Italian proponents conceived of it, ended up not having much of a future. But its practitioners had some good days at the beginning.
Read MoreArt Spiegelman believes that “MAD” magazine was more subversive for his generation of protesters than either marijuana or LSD. It certainly radicalized him.
Read MoreNo one associates Winslow Homer with abstraction, but Sleigh Ride (1893) indicates that he at times ventured into the non-figurative borders of landscape painting Edgar Degas was exploring in France at the same time.
Read MoreIf the music that can touch you so deeply with so few notes weren’t so magical, there’s also Emahoy Tsegue-Mariam Guebru’s fascinating back-story.
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