David D'Arcy
This is the first US museum exhibition for Paula Modersohn-Becker, and one of the crucial shows to see in New York this summer.
Read MoreTwo standouts at this year’s Tribeca Film Festival: “Bikechess” and “Made in England: The Films of Michael Powell and Emeric Pressburger”.
Read MoreThe 2024 Tribeca Film Festival was predictably celebrity-heavy and substance-light. Yet between the cracks, there were things well worth seeing.
Read MoreIt is hard to think of a moment in the last 100 years when Käthe Kollwitz’s work has been more timely.
Read More“Parade”‘s power does not lie in its mystery or its revelations of combat. The work, as artist Si Lewen lays it out, surveys the absurd pomp and horror of war.
Read MoreThis is a tense morality play, with twists odd enough (and a palette dark enough) to sustain a noir-inflected thriller of almost two hours.
Read MoreWatch “Five Broken Cameras” as “No Other Land” finds its way to festivals beyond Berlin. By then, the forced displacement of people in the West Bank will look gentle compared to the relentless siege of Gaza.
Read MoreA Mexican director sets a British play in a Times Square restaurant and patients talk to their psychiatrists in Paris.
Read MoreNew cinematic mavericks have come along. All the more reason that the views of earlier rebels be collected and preserved, given the short historical memories of young filmmakers and their audiences.
Read MoreAt this year’s Sundance Film Festival, in the midst of the usual well-meaning social documentaries and “independent” celebrity tributes, some real cinematic ambition crept in.
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