Caldwell Titcomb

Theater Review: Schiller’s “Don Carlos”

September 12, 2008
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By Caldwell Titcomb Some plays are so long that they drive people to despair. In the standard theatrical canon the palm goes to Goethe’s “Faust,” Part I of which runs 4612 lines, and Part II takes the total to 12,111 lines. Next comes Ibsen’s “Peer Gynt.” The playwright did not intend this to be staged…

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Classical CD Review: Victor Rosenbaum & Schubert

July 17, 2008
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By Caldwell Titcomb Luckily the Boston area is home to a considerable number of world-class pianists. Among them is Victor Rosenbaum. An honors graduate of Brandeis University, he was chair of the piano faculty at the New England Conservatory before heading the Longy School of Music for 16 years. He currently is on the Conservatory…

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Theater Commentary: Sampling Metro D.C. Stages at ATCA08

July 9, 2008
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By Caldwell Titcomb The American Theatre Critics Association, which moves around the country for its annual convention, this year spent a recent week in the nation’s capital and environs. The area houses 75 theatres – 43 in the District of Columbia, 17 in nearby Maryland, and 15 in the contiguous portion of Virginia. From the…

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Classical CD Review: Boston Secession

June 24, 2008
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By Caldwell Titcomb The local choral group called the Boston Secession has recently issued its second CD recording, entitled “Surprised by Beauty: Minimalism in Choral Music.” Founded in 1996 by conductor/pianist Jane Ring Frank, who had moved east from California in 1991, this professional chorus consists of two dozen singers – six sopranos, six altos,…

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Classical Music Review: A Choral Farewell

May 27, 2008
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By Caldwell Titcomb The Cambridge Community Chorus (CCC) was founded in 1990, and has in the past 18 years grown in size and skill under the leadership of William Ethaniel Thomas. Thomas is retiring from his post and led his farewell concert in Sanders Theatre on May 25 before an enthusiastic audience. For his final…

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Music Review: Remembering Eddie Cohen

May 9, 2008
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By Caldwell Titcomb A concert in memory of composer-teacher Edward Cohen (1940-2002) took place in the Kresge Auditorium of the Massachusetts Institute of Technology on April 27. The participants included instrumentalists, vocal soloists, and the M.I.T. Chamber Chorus, led by Dr. William Cutter, director of choral programs at the Institute. Eddie Cohen

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Classical Music Review: New England Philharmonic

May 6, 2008
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By Caldwell Titcomb Two important twentieth-century pieces and a work-in-progress made up the final program of the season offered by the New England Philharmonic at the Tsai Performance Center on April 26, with Richard Pittman on the podium. A painting by E. Prampolini inspired by Bela Bartok’s “The Miraculous Mandarin”

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Classical Music Review: ‘An American Sampler’

April 1, 2008
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By Caldwell Titcomb The Spectrum Singers, founded in 1980 and still led by John W. Ehrlich, presented a concert on March 29 entitled “An American Sampler.” Taking place in Emmanuel Church, the program was devoted to six composers of distinction, with particular emphasis on Aaron Copland (1900-1990) and Irving Fine (1914-1962). American composer Aaron Copland

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Stage Remembrance: Saluting Paul Scofield — A Titanic Figure in the History of the Theater

March 25, 2008
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By Caldwell Titcomb If you ask the British public who the foremost actors of the 20th century were, you will likely get the names of Sir John Gielgud, Sir Ralph Richardson, Sir Laurence Olivier (later Lord Olivier), and Sir Alec Guinness. You are not likely to hear the name of Paul Scofield, who died last…

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Music Review: A Most Enterprising Orchestral Program

March 1, 2008
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By Caldwell Titcomb The most enterprising program offered by any of our local orchestras in years took place on February 23 when the New England Philharmonic presented a concert at Boston University’s Tsai Performance Center. Founded in 1976, the orchestra is composed of both professional and non-professional musicians, led by Richard Pittman. The evening offered…

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