Bill Marx
Made in China 2.0 is valuable as an act of theatrical witnessing, the voice of a rebel who is facing considerable challenges from the powers that be.
As the age of Covid-19 more or less wanes, Arts Fuse critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in.
Our theater critics pick some of the outstanding productions in a year haunted by COVID.
“We have entered an age of unequivocal partisan discourse, of linguistic robotization, of tiny symbols standing for complex emotions. In total contrast to this, Philippe Jaccottet’s writing constantly shows nuance, attentiveness, perseverance, circumspection, and a genuine quest for essential truths.”
Do we feel the environment breakdown in our gut? Will people looking back see art that conveyed the existential threat of the emergency?
As the age of Covid-19 more or less wanes, Arts Fuse critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in.
In his virtuoso one-man show, Bill Irwin pays adroit homage to the language and vision of Samuel Beckett.
The story has the earmarks of YA fiction: a community of dysfunctional adults contribute to the plight of alienated kids who, badgered by persecutors their own age, seek to escape their torment.
It shouldn’t be surprising that Heroes of the Fourth Turning is monotonously ironic. No happy warriors for Christ here.
Music Feature: The Best Jazz Albums of 2022
The magazine’s jazz critics look back over the past year and highlight their favorite albums.
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