Sullivan Fortner
A diary of shows attended – good, bad, and indifferent — at this year’s Big Ears Festival, as well as comments on some of the non-musical joys and hassles.
Once again, here was the shock in Cécile McLorin Savant’s subversive conceptual daring.
Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.
To hear this performance properly. you must do a bit more work than you might do ordinarily . . . but great art deserves such work.
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