Steve Elman
Composer/pianist Anthony Coleman’s meticulous crafting made every second worthwhile.
In two new releases, Jane Ira Bloom and Brian Carpenter complete their work on self-defined projects that are tonics for a time of trouble.
Arts Fuse critics select the best in theater, visual arts, film, music, author events, and dance for the coming week.
Both David Bowie and Norbert Stein present distinctive and subtle approaches to the hybridizing of poetry and music.
Be prepared for some challenging, off-the-beaten path choices, including a new tradition.
Ramsey’s book on Bud Powell is both a provocative read and a disappointing one. Anyone thinking this will be an illuminating portrait of a jazz master is likely to suffer a serious case of buyer’s remorse.
If you’re a Gil Evans devotee, or even a casual appreciator, have I got good news for you: Ryan Truesdell’s Centennial, more than 70 minutes of Evans that we never thought we’d hear, 10 tunes realized so beautifully and brilliantly that they should win a Grammy for Truesdell and a second, posthumous Grammy for Evans.
In the best of all possible worlds, Duncan Heining’s biography will be the cornerstone of the edifice that time will erect to the memory of George Russell and his gift to music. Whether that will happen or not remains to be seen. In some ways, because of the vagaries of the book business, it’s up…
Saxophonist Grace Kelly has to decide what kind of artist she wants to be in her maturity, how long a run she’d like to have, how much she intends to contribute to the jazz tradition—and how she intends to accomplish these things. By Steve Elman. A moment of reckoning arrives in the career of every…
Commentary and Preview: The Shrinking Scene v. Jazz Week and the Thelonious Monkfish Jazz Festival
I try to be optimistic, but it’s hard not to observe that the jazz club scene in eastern Massachusetts is worse than it’s been in decades.
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