Stephen-Sondheim
As satisfying as this incomplete work is — much like Schubert’s “Unfinished Symphony” — we can still regret not being able to experience the completed work.
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A Stephen Sondheim flop returns in triumph, while his final show tantalizes with what could have been.
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Even before the lights come up on the remarkable new production by Moonbox Productions, it is clear that this is a “Sweeney Todd” of a different order.
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Assassinations may be so-last-generation, but gun violence, and what it reflects about American culture and human depravity, defines our own era as much as any.
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Appreciating Stephen Sondheim’s achievement does not mean loving all of his shows. A Little Night Music may just be one of his musicals that should be politely nudged aside.
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Stephen Sondheim’s songs told stories about people just trying to be, sung by characters struggling to make sense of a confusing world, yearning to take the next step. But his intricately structured melodies soared and tiptoed and sauntered and sometimes wisely took the long way home.
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Musical theater giant Stephen Sondheim turned 90 on March 22, and Stevie Wonder—for my money, the greatest popular music composer of the last 60 years—turned 70 on May 13.
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Road Show is unlikely to top anyone’s list of Sondheim favorites, it’s an often entertaining take on a quintessentially American story.
Read MoreAn outstanding production of a Stephen Sondheim musical that was initially thought to be a misfire.
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Arts Remembrance: Stephen Sondheim – Musical Theater Mourns the Passing of a Giant
Stephen Sondheim was the most influential musical-theater artist of the modern era. His death leaves a permanent hole in the art form and in the hearts of his fans.
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