Simone Dinnerstein

Classical Album Review: Richard Danielpour’s “An American Mosaic” — A Potent Reminder of Shared Humanity

June 7, 2021
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An American Mosaic is a fascinating study of how a contemporary composer can fuse the gestures and syntax of a tradition rooted in Bach with contemporary sensibilities.

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Classical CD Reviews: Anna Clyne’s “Mythologies,” Simone Dinnerstein’s “A Character of Quiet,” and Hélène Grimaud’s “The Messenger”

November 24, 2020
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Composer Anna Clyne’s new disc displays her maturity as a composer and brilliance as an orchestrator; pianist Simone Dinnerstein builds a number of bridges between Philip Glass and Franz Schubert; pianist Hélène Grimaud’s interesting program is marred by some uneven Mozart.

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Classical CD Review: Simone Dinnerstein plays Bach and Glass and James Brawn’s Beethoven Odyssey vol. 5

May 18, 2018
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Two recommended discs: James Brawn’s complete Beethoven piano sonata series continues while Simone Dinnerstein and A Far Cry execute Philip Glass’s chorale-like writing with remarkable fervency and warmth.

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Dance Review: “New Work for Goldberg Variations” — Probing the Infinite

December 11, 2017
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One fascinating aspect of this collaboration is that the dance and music harmonize but don’t mimic each other.

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Classical CD Reviews: Emerson Quartet plays Purcell and Britten and Mozart in Havana

June 16, 2017
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The Emerson Quartet is as restless and curious as ever; pianist Simone Dinnerstein is featured on a treasure of a disc.

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Classical CD Reviews: Simone Dinnerstein plays Ravel, Lasser, and Gershwin

March 19, 2015
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Pianist Simone Dinnerstein’s new album, Broadway-Lafayette, features her on three pieces, all written since 1924, that celebrate musical ties between France and the United States.

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Music Commentary: Notable Classical Performances of 2014

December 24, 2014
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It’s fun to recall what’s been played locally since January and be reminded just how rich the greater Boston area’s classical music scene really is.

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