Sarah Osman

Television Review: “Genera+ion” — A Sketchy Look at Gen Z

March 13, 2021
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Considering the show’s uneven writing, there’s no certainty that Genera+ion will last longer than a viral TikTok video.

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Film Review: “Moxie” — Fumbled Feminism

March 8, 2021
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It’s as though Moxie‘s writers pulled out a long “woke” checklist and tried to cram in something about every hot button issue they x’ed off.

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Television Review: “Biggie: I Got a Story to Tell” — Avoiding the Ugly Side of the Tale

March 5, 2021
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Biggie: I Got a Story to Tell does a solid job of introducing someone new to Biggie’s work and establishing his enormous influence on hip hop.

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Television Review: “It’s a Sin” — Poignant Remembrance of the AIDS Era

February 23, 2021
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Despite its inevitable darkness, It’s a Sin never loses sight of the joys of existence.

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Film Review: “Son of the South” — The Civil Rights Movement, Served on Wonder Bread

February 4, 2021
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What we need is to see the world through the eyes of Black activists, even though that might be frightening to White audiences reluctant to deal with the unmediated truth.

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Television Review: “Strip Down, Rise Up” — The Liberation of Pole Dancing

February 1, 2021
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An intriguing look at smashing the patriarchy through the art of pole dancing.

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Film Review: “Azizler” (aka Stuck Apart) — Trapped Again

January 20, 2021
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Azizler is a slow burn; unfortunately, the payoff isn’t worth the wait.

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Arts Feature: The Best Underrated TV Shows to Keep You Sane During Lockdown #2

December 24, 2020
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The current lockdown gives me an opportunity to recognize TV shows whose brilliance has been overlooked.

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Television: “Alabama Snake” — The Wild Wiles of the Serpent

December 14, 2020
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Alabama Snake is crazy, but it also provides the kind of off-kilter insights into humanity one finds in the best of Southern folklore

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Arts Feature: Best TV Shows of 2020

December 10, 2020
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We were driven indoors and told to stay there, so we turned to our screens for entertainment.

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