Rainer Werner Fassbinder
Each month, our arts critics — music, book, theater, dance, and visual arts — fire off a few brief reviews.
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This new adaptation is sure to spark criticism from Döblin and Fassbinder loyalists, as well as those who might feel the film is not politically progressive enough. Nonetheless, it strikes the right chords: balancing between textual fidelity and contemporary relevance.
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If you like your films “weird, sexually provocative, and intellectually stimulating” (add violence to the mix) then our critics will feed your appetite splendidly.
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