Julia Wolfe’s Fire in my mouth is one of 2019’s most memorable recordings; Donnacha Dennehy’s The Hunger, a meditation on the Irish potato famine of the mid-19th-century, leaves an indelible impression; Derek Bermel’s Migrations is a grand celebration of one of America’s great living composer at the top of his game.
Nonesuch
Jazz Review: A Trio of Superb Trio Albums
Good things come in threes.
Fuse CD Reviews: John Adams’ “City Noir” and Saxophone Concerto (Nonesuch) and Howard Hersh’s “Angels and Watermarks”
Howard Hersh hails from northern California, and, as in John Adams’ “City Noir,” the music on Hersh’s album, “Angels and Watermarks,” embraces polyglot West Coast culture in various ways.
Classical CD Review: Jeremy Denk’s Ligeti/Beethoven (Nonesuch)
If you find classical music to be a vibrant, living thing in which inventive pairings and convincing realizations of music of the distant and recent past can speak in fresh and vital ways to the present, Jeremy Denk is your man and this is your CD.
