Mark Favermann
In Miss Holmes Returns, dramatist Christopher M. Walsh has involved the gender-switched pair in an entertaining yarn of uncertainty, betrayal and social justice.
Each month, our arts critics — music, book, theater, dance, and visual arts — fire off a few brief reviews.
Ocean Filibuster draws on a marvelous fusion of myth, song, free verse, and science to explore why we are standing at the frightening edge of the cliff of our planet’s survival.
The cognitive architecture approach espoused by the Human Architecture and Planning Institute is applying a welcome new paradigm that responds in a fresh way to the built environment.
Clearer heads conclude that there will be plenty of cultural space for both physical art and this highly monetized new digital art.
This is an invaluable gathering of interviews, an impressive excavation of institutional memory that not only recognizes the MFA’s grandeur but its many deficiencies as well.
Each month, our arts critics — music, book, theater, dance, and visual arts — fire off a few brief reviews.
Dull, flat, and boring, with no discernible personality, the Olympics 2020 graphics made no impact on anyone other than, perhaps, its creator/developers and maybe a (very) few members of the host committee.
Recently, a number of public artworks have been charged with memorializing ghosts or “specters” of the past.
Visual Arts Commentary: Two Books and a Play — Creating Architectural Literacy
Given the current state of play, any attempts to enrich our knowledge of the built environment are valuable.
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