Mark Favermann
Each month, our arts critics — music, book, theater, dance, and visual arts — fire off a few brief reviews.
Read More
Ocean Filibuster draws on a marvelous fusion of myth, song, free verse, and science to explore why we are standing at the frightening edge of the cliff of our planet’s survival.
Read More
Clearer heads conclude that there will be plenty of cultural space for both physical art and this highly monetized new digital art.
Read More
This is an invaluable gathering of interviews, an impressive excavation of institutional memory that not only recognizes the MFA’s grandeur but its many deficiencies as well.
Read More
Each month, our arts critics — music, book, theater, dance, and visual arts — fire off a few brief reviews.
Read More
Dull, flat, and boring, with no discernible personality, the Olympics 2020 graphics made no impact on anyone other than, perhaps, its creator/developers and maybe a (very) few members of the host committee.
Read More
Recently, a number of public artworks have been charged with memorializing ghosts or “specters” of the past.
Read More
Perhaps we need to call on Sherlock Holmes in order to resolve the 31-year old “no end in sight” Gardner heist?
Read More
All four budgets that Donald Trump and his sycophants sent to Congress had nada for the arts and humanities.
Read More
Visual Arts Commentary: Reordering Design Priorities Through Biometric Research
The cognitive architecture approach espoused by the Human Architecture and Planning Institute is applying a welcome new paradigm that responds in a fresh way to the built environment.
Read More