Marcia B. Siegel
Monica Bill Barnes, a dancer-choreographer, mime, storyteller and soft satirist, has riffed in the past on the pitfalls of dancing, the vanity of performers, the absurdities of adolescence. Now she’s looking at gender displacements and assertions.
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Mark Morris and Ethan Iverson chose songs from the famous album for reflection and extrapolation. What they made is an entertainment, a romp for the company’s terrific dancers.
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What few signs of the rich culture embedded in Danza Orgánica’s artistic director and choreographer Marsha Parrilla’s heritage made token appearances.
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I thought I’d never seen such a thrilling example of how dance and music can combine and feed each other.
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Dressed in cream-colored pants, a crisp white shirt, sneakers, and big owlish spectacles with red plastic frames, Twyla Tharp played the professor in the first part of the 90-minute show.
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Boston Dance Theater’s four pieces seemed to counter female stereotypes but raised limited alternatives.
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John Heginbotham may be making modern dance but he gives us the gift of classicism: discovery within form.
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One thing I liked so much about this show, besides the mental and physical challenges, was its use of really simple and mundane materials.
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Places Please! looks at the backstage life and trauma of performers.
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Favorite Dance Performances of 2018
Our critics pick some of the highlights of the year in dance.
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