• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar
  • Skip to footer
  • About
  • Donate

The Arts Fuse

Boston's Online Arts Magazine: Dance, Film, Literature, Music, Theater, and more

  • Podcasts
  • Coming Attractions
  • Reviews
  • Short Fuses
  • Interviews
  • Commentary
  • The Arts
    • Performing Arts
      • Dance
      • Music
      • Theater
    • Other
      • Books
      • Film
      • Food
      • Television
      • Visual Arts

Kirsten Greenidge

Theater Review: “Common Ground Revisited” – Revivifying History

Common Ground Revisited infuses new life into J. Anthony Lukas’s book, but it doesn’t offer any easy answers. The play fills in the fine details, deepening our understanding of how we got here and how far we have to go.

By: Jacqueline Houton Filed Under: Featured, Review, Theater Tagged: Common Ground Revisited, Jacqueline Houton, Kirsten Greenidge, Melia Bensussen

Theater Review: “Our Daughters, Like Pillars” — Bearing the Weight

Kirsten Greenidge’s epic comic drama is a spot-on examination of the challenges changing times pose to evolving families.

By: David Greenham Filed Under: Featured, Review, Theater Tagged: Huntington-Theatre-Company, Kirsten Greenidge, Our Daughters Like Pillars

Theater Review: Company One’s ‘Greater Good’ Takes Us on a Tour of Privilege. Literally.

Greater Good is a fiercely compelling piece, confronting its audience with a complex exploration of some of the most pressing issues of our day.

By: Christopher Caggiano Filed Under: Featured, Review, Theater Tagged: American Repertory Theater, Company One Theatre, Greater Good, Kirsten Greenidge, Steven Bogart

Theater Review: Off the Grid’s “The Weird” — Not Nearly Weird Enough

Off the Grid’s The Weird is content to cast a low wattage spell.

By: Bill Marx Filed Under: Featured, Review, Theater Tagged: John Kuntz, Kirsten Greenidge, Lila Rose Kaplan, Obehi Janice, Off the Grid Theatre Company, Steven Bogart, The Weird

Theater Review: “How Soft the Lining” — A Powerful History Lesson

How Soft the Lining brings considerable emotional power to bear on its exploration of the complexities of American history.

By: Arts Fuse Editor Filed Under: Featured, Review, Theater Tagged: Bad Habits Productions, Erik Nikander, How Soft the Lining, Kirsten Greenidge, Mary Todd Lincoln

Theater Review: “Baltimore” — Talking Isn’t Enough

There’s nothing wrong with preaching the value of empathy — but who would argue?

By: Bill Marx Filed Under: Featured, Review, Theater Tagged: Baltimore, Big Ten Theatre Consortium, Boston Center for American Performance, Kirsten Greenidge, New Repertory Theatre

Theater Review: “Milk Like Sugar” — Vivid Snapshots of Confused Lives

Milk Like Sugar cries out for dialogue and confrontations that direct us deeper into the conflicts the young women face.

By: Robert Israel Filed Under: Featured, Review, Theater Tagged: African-American teen pregnancy, Huntington Theater Company, Kirsten Greenidge, Milk Like Sugar

Theater Review: “Grimm” but Entertaining

Charm’d magic casements, opening on the Foam Of perilous seas, in faery lands forlorn. — To a Nightingale, John Keats, 1819 GRIMM: The Brothers’ Tales Remixed & Re-imagined . . . Written by Gregory Maguire, Kristen Greenidge, Melinda Lopez, Marcus Gardley, Lydia R. Diamond, John Kuntz, and John ADEkoje. Directed by Summer L. Williams and […]

By: Bill Marx Filed Under: Books, Featured, Theater Tagged: Boston-theater, Brothers Grimm, Company One, Gregory Maguire, John ADEkoje, John Kuntz, Kirsten Greenidge, Lydia Diamond, Marcus Gardley, Melinda-Lopez, Shawn LaCount, Summer l. Williams

Coming Attactions in Theater: July 2010

Underneath the discouraging array of customary exhibitions there are some reassuring productions of the new this month, with a smattering of New England and world premieres. Culture Vulture thinks that Richard III will be a highlight at Shakespeare & Co; I am also intrigued by Company One drawing on local playwrights to revamp the tales […]

By: Bill Marx Filed Under: Coming Attractions, Featured, Theater Tagged: After the Revolution, American Repertory Theater, Apollinaire Theatre Company, Arlene Hutton, Barrington Stage Company, Carter W. Lewis, Cherry Smoke, Chester Theater Company, Company One, Conni's Avant Garde Restaurant, Cyrano de Bergerac, Fully Commited, Gabriel Kuttner, Gregory Maguire, Grimm, Gurnet-Theatre-Project, James McManus, John ADEkoje, John Kuntz, Jonathan Epstein, Kirsten Greenidge, Lydia R. Diamond, Marcus Gardley, Melinda-Lopez, musical, Pool Boy, Richard III, See Rock City, Shakespeare and Co, Storytelling Ability of a Boy, The-Winters-Tale, Wellfleet Harbor Actors Theater, William-Shakespeare, Williamstown-Theatre-Festival

Primary Sidebar

Search

Popular Posts

  • Jazz Commentary: Billy Cobham, Then and Now — An Awesome Jazz Drummer Billy Cobham plays right on top of the beat, and his gr... posted on January 4, 2023
  • The 17th Annual Francis Davis Jazz Poll: A Profusion of Geniuses This is the 17th annual edition of the Francis Davis Ja... posted on January 6, 2023
  • Theater Review: The Proudly Woke “Some Like It Hot” Musical Is a Genuine Blast Some Like It Hot is a terrifically entertaining – and t... posted on January 3, 2023
  • The 17th Annual Francis Davis Jazz Poll — My Poll Without Me This most recent poll also proves the worth of the poll... posted on January 6, 2023
  • Album Review: “Satan Is Busy in Knoxville: The Knoxville Sessions, 1929 & 1930” — The Devil’s in the Details Ted Olson continues bringing important location recordi... posted on January 14, 2023

Social

Follow us:

Footer

  • About Us
  • Advertising/Underwriting
  • Syndication
  • Media Resources
  • Editors and Contributors

We Are

Boston’s online arts magazine since 2007. Powered by 70+ experts and writers.

Follow Us

Monthly Archives

Categories

"Use the point of your pen, not the feather." -- Jonathan Swift

Copyright © 2023 · The Arts Fuse - All Rights Reserved · Website by Stephanie Franz