Jeremy Ray Jewell
Dueto Dos Rosas’s tunes can be classified as rancheras or corridos, but their style has a very particular historical resonance.
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Rather than focusing on Mexicans in the United States, historian Carrie Gibson posits an expansive transnational history.
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Delia Owens suggests that the only forward movement for her outsider-protagonist and “swamp trash” is to become curators of ecological/cultural museums in the very places where they once struggled for an independent life.
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Anders Walker’s The Burning House sheds fascinating light on a forgotten piece of intellectual history in the Jim Crow South.
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The unmistakable flavor of R&B can be found throughout Charley Crockett’s work
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When Vermont’s Mountain Man brings us its Appalachian vocal stylings the trio is venturing into the hollers of both the Green and the Blue Ridge Mountains.
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How will others in the Southern hip-hop scene react to this embrace of tradition by a Southern rapper with his feet firmly in the Gangsta Rap arena?
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Lonnie Holley’s music on MITH sounds like a choir of better angels whose multi-layered voice is hard on the outside and soft on the inside, like so much Alabama clay.
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