Jazz
In what ways are the arts themselves (and our understanding of them) being shaped to serve the ethos of corporate profit-making?
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On these two discs you’ll find masterfully played, engaging excursions into the tonal beyond.
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Composer/pianist Anthony Coleman’s meticulous crafting made every second worthwhile.
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Mostly the New Orleans Jazz & Heritage Festival ends up being about the multiplicity and infinite variety of cultures and traditions, including generic funk.
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As part of its 150th anniversary celebration, NEC commissioned Anthony Coleman to compose a large-scale work he has named Streams.
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Local music venues — especially those with “off” music like jazz — are caught in a vice, with real estate escalation on one side and corporate-dominated digital technology on the other.
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Jazz singer Mark Murphy was just too much for most audiences during that period; too intense, too varied, too unpredictable.
Read MoreStanley Sagov never wants to play a piece the same way twice. He’s always engaged in a “search for freshness.”
Read MoreThis documentary about John Coltrane serves up skillful, sensitive storytelling and an appropriate sense of reverence.
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Jazz Commentary: Response to “The Jazz Bubble”
Arts Fuse Jazz critic Steve Provizer responds to Dale Chapman’s book The Jazz Bubble: Neoclassical Jazz in a Neoliberal Culture.
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