ICA

Visual Arts Commentary: Branded in Boston — Logos by Any Other Name

October 5, 2022
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What’s up? Several public and private agencies have changed their graphic identities and even names.

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Visual Arts Review: Helina Metaferia’s “Generations” — A Story of Heritage and a Call for Change

December 16, 2021
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The social message of Generations is powerful and clear: it is time to be AWAKE + OUTRAGED.

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Visual Arts Review: The Photographs of Deana Lawson — Portals to Possibilities

November 15, 2021
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Viewers are invited to make what they will of the show’s images — to let their imaginations come up with their own expansive and beautiful stories.

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Visual Arts Review: Virgil Abloh Is Bringing in the Outside at the ICA

July 6, 2021
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“Figures of Speech” is a kind of aesthetic/political injection: its messages are put across by pieces that seamlessly blend a number of genres, including sculpture, music, graphics, and film.

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Dance Review: Smile and Sneer — Mark Morris at the ICA

January 24, 2015
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Now 58, the noted choreographer’s succinct gestural language, coincident use of music and musical ideas, and spatial elasticity is now completely second nature.

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Fuse Dance Review: PERFORMANCE — A Parade of Passersby

January 27, 2014
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No amount of postmodern theory can paper over the fact that a half-baked cake, even one made with tasty ingredients, fails to satisfy.

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Film Review: The Best of the Ottawa International Animation Festival — A Very Good Year

January 8, 2014
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An annual gathering of superb new animation from around the world. This year’s standouts include “Oh Willy…” from Belgium and “Virtuoso Virtual” from Germany.

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Film Interview: Director Jane Gillooly on Sex, Lies, and Audiotape

March 26, 2013
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This unique and carefully constructed impressionistic narrative encourages viewers to free-associate, assess, and imagine the romantic relationship through the filter of their own memories and experiences.

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Dance Review: Putting the Id in Kid: Faye Driscoll at the ICA

November 4, 2012
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Over the next 90 minutes, Faye Driscoll and Aaron Mattocks stepped, bounced, shrieked and scrabbled through a series of 20 to 30-count episodes, much of it having to do with orality.

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Music Review / Commentary: Surprise Packages — Marc Ribot, solo guitar / Mostly Other People Do the Killing

October 1, 2012
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Honesty is Best Policy Disclosure: I was in the hall to hear Mostly Other People Do the Killing. I’d heard the band on CD, and I knew that the only way I could appreciate them fully was to attend a performance.

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