Huntington-Theatre-Company
Indecent is a play of contrasts: piety versus blasphemy, joy versus heartbreak.
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The HTC’s Romeo and Juliet may be dressed in modern trappings, but the play’s elemental heart and soul are left fully intact.
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A Doll’s House, Part 2 comes off as a return to the barn — after the door has fallen off its hinges.
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Acclaimed playwright and screenwriter Michael Cristofer’s script is very open about portraying Emile Griffith’s sexuality.
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Eleanor Burgess’ The Niceties is an articulate, if structurally crabbed, expression of #blacklivesmatter anger as well as a millennial rebel yell.
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Fall’s conflict is presented with insufficient power; its domestic tragedy is not propelled along its inevitably troubling course.
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Why has Bernard Weinraub chosen this secretive chapter of Miller’s life as fodder for his play?
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Top Girls’ conflicts and political themes seem more relevant than ever in this excellent production.
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Skeleton Crew offers a redemptive look at a national tragedy — the financial crisis of 2008.
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Arts Commentary: Another View of “The Niceties”
To an extent, The Niceties does probe a fault line between the Democratic Party and the left: a boundary that will rupture sooner rather than later.
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