Huntington-Theatre-Company

Theater Commentary: Who’s Agitating for a “Green New Theatre”?

May 3, 2021
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The arrival of Groundwater Arts suggests the birth of efforts to organize artists and others to press cultural organizations to take meaningful action on the climate crisis.

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Theater Commentary: Where Is Our Rage?

December 27, 2020
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Why are Boston stages reacting so serenely to our current miasmas — pandemical, political, economic, and spiritual.

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Theater Review: “Sweat” — Icarus’s Children

February 12, 2020
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For me, Sweat hits its riveting stride in its second half, when the pressures of the strike tests the relationships of its working class characters.

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Theater Review: “Quixote Nuevo” — The Impossible Trauma

November 27, 2019
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Octavio Solis’ Quixote Nuevo, is a genial, and very American, riff on Don Quixote.

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Theater Review: “Rosencrantz & Guildenstern Are Dead” — Absurdist Death Pangs

October 2, 2019
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Much ado about nihilism.

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Theater Review: “Indecent” — A Dangerous World for People of Faith

May 4, 2019
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Indecent is a play of contrasts: piety versus blasphemy, joy versus heartbreak.

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Theater Review: HTC’s “Romeo and Juliet” — A Seamless Marriage between Old and New

March 15, 2019
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The HTC’s Romeo and Juliet may be dressed in modern trappings, but the play’s elemental heart and soul are left fully intact.

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Theater Review: Return to “A Doll’s House”? — You Can’t Go Home Again

January 12, 2019
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A Doll’s House, Part 2 comes off as a return to the barn — after the door has fallen off its hinges.

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Theater Review: “Man in the Ring” — A Precipitous Fall

December 10, 2018
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Acclaimed playwright and screenwriter Michael Cristofer’s script is very open about portraying Emile Griffith’s sexuality.

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Arts Commentary: Another View of “The Niceties”

October 1, 2018
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To an extent, The Niceties does probe a fault line between the Democratic Party and the left: a boundary that will rupture sooner rather than later.

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