Huntington-Theatre-Company
Dramatist Lloyd Suh takes us on an inner journey by weaving silences into his script that encourage his characters (and us) to reflect and pause.
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In “Fat Ham,” Black pain and repressed desire are transformed into a celebration of liberation and empowerment — once the villain du jour, the patriarchy, has been dispatched.
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“Prayer for the French Republic” is of interest because it raises significant questions about faith during a hate-filled time.
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The Lehman Trilogy is epic in its proportion and ambitions, so it is ironic that it sacrifices opportunities to probe troubling topics.
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The Huntington Theatre Company’s co-production of Lynn Nottage’s Clyde’s is spirited and sassy.
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Despite some missteps and miscasting bumps along the way, this staging faithfully captures playwright August Wilson’s searing poetic vision.
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Kirsten Greenidge’s epic comic drama is a spot-on examination of the challenges changing times pose to evolving families.
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Dramatist Lydia R. Diamond makes an honorable effort to adapt Toni Morrison’s novel to the stage, but with mixed results.
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Madeleine George’s uneven 90-minte one-act comedy/drama borrows heavily on Greek mythology to zip up the misadventures of a cluster of suburban women in New Jersey,
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The heart and soul that so prominently flavors the Black Beans Project no doubt reflects the hopeful moment we’re in.
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