Huntington-Theatre-Company
The Huntington Theatre Company’s co-production of Lynn Nottage’s Clyde’s is spirited and sassy.
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Despite some missteps and miscasting bumps along the way, this staging faithfully captures playwright August Wilson’s searing poetic vision.
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Kirsten Greenidge’s epic comic drama is a spot-on examination of the challenges changing times pose to evolving families.
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Dramatist Lydia R. Diamond makes an honorable effort to adapt Toni Morrison’s novel to the stage, but with mixed results.
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Madeleine George’s uneven 90-minte one-act comedy/drama borrows heavily on Greek mythology to zip up the misadventures of a cluster of suburban women in New Jersey,
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The heart and soul that so prominently flavors the Black Beans Project no doubt reflects the hopeful moment we’re in.
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Why are Boston stages reacting so serenely to our current miasmas — pandemical, political, economic, and spiritual.
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For me, Sweat hits its riveting stride in its second half, when the pressures of the strike tests the relationships of its working class characters.
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Octavio Solis’ Quixote Nuevo, is a genial, and very American, riff on Don Quixote.
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Theater Commentary: Who’s Agitating for a “Green New Theatre”?
The arrival of Groundwater Arts suggests the birth of efforts to organize artists and others to press cultural organizations to take meaningful action on the climate crisis.
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