Harry Christophers

Opera Review: “Dido and Aeneas” — A Memorable Evening of Purcell

April 1, 2019
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Handel and Haydn Society assembled both a must-hear program and an extraordinary cast of singers.

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Concert Review: Handel & Haydn Society Plays Purcell’s “The Fairy Queen”

April 9, 2018
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A thoroughly charismatic Fairy Queen from start to finish, well-prepared, fulgently delivered, and received by a packed house with well-earned warmth.

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Concert Review: Claudio Monteverdi’s Vespers of 1610 — Exhilaratingly Performed

April 12, 2017
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The fiery excellence of Handel and Haydn Society’s collective effort made Monteverdi’s epic masterpiece sparkle like a star.

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Fuse Classical Music Review: The Handel and Haydn Society — An Amazing 202nd Season Opener

September 25, 2016
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This is a major Bach town and, judging by this evening, no ensemble performs his music much better than H & H under Harry Christophers.

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Concert Review: Aisslinn Nosky and the Handel and Haydn Society/Harry Christophers

February 25, 2013
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Handel and Haydn artistic director Harry Christophers placed a composer who is familiar, but not always the focus of attention, front and center, and, in the process, reminded us just how good a musician Haydn was.

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Concert Review: Bach’s Magnificat etc. with the Handel and Haydn Society/Harry Christophers

October 16, 2012
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Friday’s was the first of a series of strong, interesting programs H&H is offering this season. If its success is any indication of what’s to come (and I hope it is), we should have a very special few months ahead of us, indeed.

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Classical Music Commentary: The Perilous Life of the Handel & Haydn Society?

September 11, 2012
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The greatest obstacle H&H faces in building new audiences, though, is far more insidious than too many period ensembles in town: it has to do with time.

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