Film
Nick Prueher, together with his co-host Joe Pickett, is the founder and curator of the Found Footage Festival, a traveling show that takes the very worst of random VHS tapes and puts them all together into one two hour show. With the festival now in its fifth incarnation, Prueher took some time out from preparing…
Read MoreBy Justin Marble August 4, “Best of the Oughts” at the Brattle: Putting together a list of the best films of the decade is quite difficult, and putting together a film series might be even tougher. But the Brattle appears to have done a good job, pulling in a mix of Hollywood and indie films…
Read MoreThe remake follows the same plot as the 1984 original, but the new version is more like watching a bunch of twelve-year-old kids in a steel cage death match. Reviewed by Tom Samph In a time when baby-faced Michael Cera and whiny John Mayer are cultural icons, Americans still can’t get enough blood and guts.…
Read MoreBy Justin Marble June 11–17, Grindhouse films at The Brattle: Quentin Tarantino and Robert Rodriguez’s 2007 double feature reignited interest in the campy, cheap, and cheesy B-movies of the grindhouse era. These highly-enjoyable and ridiculous films are an experience unto themselves. With esteemed titles like Black Cobra, Chained Heat, Lady Terminator, and Thrill of the…
Read MoreBy Justin Marble April 4–5, Kurosawa at the Brattle: Every theater in town is screening Kurosawa at some point this month, but my recommendation is for the Brattle on the 4th and 5th for one reason: “Red Beard.” Most everybody has at least heard of Kurosawa films like “Yojimbo,” “Throne of Blood,” “Kagemusha,” and “Ran,”…
Read MoreBy Harvey Blume The major problem with these treatments of Timothy Leary and Daniel Ellsberg is that they portray their main characters as if there was no possible resonance between them, as if they came from different eras. The Harvard Psychedelic Club, by Don Lattin, HarperOne, 256 pages, $24.99. The Most Dangerous Man in America: Daniel…
Read MoreDespite some poignant moments, “Greenberg” ends up as a half-cooked film about half-cooked people. Reviewed By Justin Marble In perhaps the most revealing scene in Noah Baumbach’s latest film, “Greenberg,” Ben Stiller’s title character stands in the middle of a party, alone, as the director’s camera slowly moves in on him from above. The partygoers…
Read MoreBy Justin Marble March 2–4: “Children of Invention” at the Brattle: Young filmmaker Tze Chun’s first feature was shot on location in Boston and focuses on a single mother with two small children struggling to make ends meet. When she doesn’t return home one night from her con-artist-esque job, it falls to the older brother…
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