This engaging exhibition features the work of 6 artists who meditate on the demise of the analog film image, exploring celluloid’s “particular visual, material, aural, and even metaphoric characteristics.”
Film
Film Review: “Growing Cities” — Searching for America’s Urban Farmland
Although “Growing Cities” plays a bit like a home movie, it at least scores points for enthusiasm.
Film Commentary: Wes Anderson, Stefan Zweig, and Discovering the Value of “The World of Yesterday”
Perhaps a movie such as “The Grand Budapest Hotel, which is much more than a zany comedy, can lead us back, as director Wes Anderson may have intended, to the fabulous writing of Stefan Zweig.
Coming Attractions: What Will Light Your Fire This Week
Arts Fuse critics select the best in music, film, theater, visual arts, author readings, and dance that’s coming up this week.
Coming Attractions: What Will Light Your Fire This Week
Arts Fuse critics select the best in music, film, theater, author readings, visual arts, and dance that’s coming up this week.
Coming Attractions: What Will Light Your Fire This Week
Arts Fuse critics select the best in music, film, theater, author readings, and dance that’s coming up this week.
Film Review: Back from the Moscow International Film Festival
Russian intellectuals privately grasp that they must seem like jackasses to the outside world with their primitive attitudes about homosexuality, aligning not with Western Europe but with Nigeria and Uganda and the Muslim world.
Movie Review: “The Deep Blue Sea” — A Feast for the Eye and the Mind
While “The Deep Blue Sea” may be a throwback to another era, director Terence Davies has used his masterful style to engage the audience cinematically and psychologically in an elegant circular structure.
Fuse Movie Feature: What’s “The Czar of the Bizarre” Been Up To?
Director David Lynch, “The Czar of the Bizarre,” hasn’t been working on a new, full-length film, but he’s still been busy delivering on his artistic promise to produce that which is Lynchian.
Film Review: Should We Fear Miranda July’s “Future”?
THE FUTURE, director/actor Miranda July’s followup to 2005’s ME AND YOU AND EVERYONE WE KNOW is brave, unexpectedly poignant and devastatingly sad.
