At the very least, Ionesco’s drama about the unreality of the world should produce shudders as well as chuckles.
Eugène Ionesco
Arts Commentary: Two “Killer” Worldviews
I’m suddenly startled by the almost simultaneous appearance of two killers, neither of them COVID-19, each seemingly unbeatable in its own way.
Theater Review: ASP’s “Exit The King” – When Politics Become Absurd
In Ionesco’s play, society no longer makes sense — even to itself.
Theater Review: “Rhinoceros” on Newbury Street
With conformity on the march, Ionesco’s Rhinoceros remains as timely as ever.