BOSTON'S PREMIER ONLINE ARTS MAGAZINE
At the very least, Ionesco’s drama about the unreality of the world should produce shudders as well as chuckles.
I’m suddenly startled by the almost simultaneous appearance of two killers, neither of them COVID-19, each seemingly unbeatable in its own way.
In Ionesco’s play, society no longer makes sense — even to itself.
With conformity on the march, Ionesco’s Rhinoceros remains as timely as ever.
Arts Commentary: Two “Killer” Worldviews
I’m suddenly startled by the almost simultaneous appearance of two killers, neither of them COVID-19, each seemingly unbeatable in its own way.
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