Donald Trump
It’s Jeremy Strong’s portrayal of Roy Cohn that hangs in this not-very-good movie like a Rembrandt on the cracked plaster of a La Quinta suite by the airport.
The notion that columnists like Breslin were “deadline artists” is apt. Their task was to come up with a story idea, track it down, then give it a narrative spark, all ahead of a ticking clock as the drop-deadline for the next edition loomed.
According to Sarah Kendzior, “we have a transnational crime syndicate masquerading as a government.”
Andrew Child pictures the candidates riding a skateboard, each in a slightly different pose and dressed in slightly different cool gear.
Politicians are forced to perform on a massive stage and under the fierce gaze of a thousand lenses, yet few have real skills in that arena.
If you want to understand what is going on in the United States today, journalist Sarah Kendzior is a good resource.
Follow almost any of these police brutality cases to their realpolitik conclusion and you will eventually work your way back to a monstrous truth.
Naomi Klein argues that the more anxious we are, the more vulnerable we are to politically opportunistic manipulation.
If the ballyhoo around the Public Theater’s Julius Caesar is a sign of the times, then we have a lot more than Trump to fear.
Visual Arts Review: Trump Likes Minimalism? Really?
All four budgets that Donald Trump and his sycophants sent to Congress had nada for the arts and humanities.
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