Donald Trump

Doc Talk: The Simulation According to Musk

October 16, 2026
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In Alex Gibney’s exhaustive documentary, Elon Musk emerges as a visionary, a menace, and a man determined to escape the world he has helped imperil.

Visual Arts Review: The Art Bastard Returns — With Trump and Company in Hell

October 8, 2026
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At New York’s Art Students League, Robert Cenedella’s grotesque group portrait turns the MAGA elite into a gathering of horned grotesques.

Book Review: “The Hard Path to Unity” — A Liberal’s Case for Caution

September 22, 2026
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In “The Hard Path to Unity,” former congressman  Barney Frank offers a sharp account of Trump-era politics and liberal disarray—but his call for patience with progressive “dissidents” invites serious resistance.

Arts Commentary: Trump’s War on the Kennedy Center Is a War on Culture Itself

September 18, 2026
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His threatened destruction of the nation’s living memorial to John F. Kennedy exposes not merely an assault on a building, but the petty authoritarianism, civic vandalism, and cultural contempt driving his presidency.

Arts Commentary: The Kennedy Center and the Boston Symphony Orchestra — A Tale of Two Crises

June 18, 2026
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A court-ordered reset in Washington and a self-inflicted rupture in Boston expose deeper failures of leadership, transparency, and trust.

Culture Commentary: Homemade and Despicable

July 2, 2025
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So now, along with hand-made candles, jewelry, and home goods, Etsy customers can sport tees, caps and download stickers with Alligator Alcatraz names and images.

Book Review: “Not My Type” — Surviving Trump

June 26, 2025
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This is a measured book, harrowing at times but also thoroughly enjoyable. It’s a fun read about a rape trial.

Cultural Commentary: Time for Arts Groups, Large and Small, to Display Some Bona Fide Irreverence

June 25, 2025
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The question before arts organizations and companies is the same one that looms over the rest of us: will they—can they—act before it’s too late?

Cultural Commentary: On the National Arts

February 28, 2025
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There’s nothing benign about what just happened on the banks of the Potomac. Indeed, the president’s move makes history of the most nefarious kind: for the first time, the federal government has hijacked what is supposed to be the nation’s premiere arts institution in an effort to explicitly censor voices and viewpoints it deems undesirable.

Film Review: “The Apprentice” — Marinating in Malignance

October 11, 2024
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It’s Jeremy Strong’s portrayal of Roy Cohn that hangs in this not-very-good movie like a Rembrandt on the cracked plaster of a La Quinta suite by the airport.

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