Dave Brubeck
Dave Brubeck and the Performance of Whiteness has scholarly value but, given its diminution of human agency, it will not significantly impact real life public conversations about ending white privilege and dealing with the complexities of cultural appropriation.
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Two from Dave Brubeck: Time Outtakes, the alternate tracks for the Dave Brubeck Quartet’s classic 1959 album Time Out is very good to have; Lullabies is filled with the intimate sound of the pianist’s old age, tender affection, and distilled musical wisdom.
Read MoreThe five compositions and one de facto suite played at the NEC Winds and Winds Ensemble performance spoke with six different voices and carried six different messages.
Read MoreWhen the jazz composer is the soloist, which is usually the case, he or she ironically revives one of the most venerable traditions in classical music.
Read MoreFuse Jazz Critic Steve Elman is currently surveying works that illuminate the tradition of the jazz-influenced piano concerto. His series began with an examination of Chick Corea’s current recording, The Continents. In part two, he takes a look at eight works by jazz composers that precede the release of Corea’s work. This post is a…
Read MoreFor all the hand-wringing in the media about the death rattle of jazz, what with record stores closing and radio stations losing listeners, Newport reminds you that the art form is alive and well, with a growing audience of people of all ages and races. By Charles McEnerney, Host + Producer, Well-Rounded Radio Both the…
Read MoreBy J. R. Carroll Photo by Nicole LeCorgne Jazz festivals come in all shapes and sizes these days, even within the modest geographical confines of New England. Up in Vermont, the Burlington Discover Jazz Festival is still in progress; among others, you can still catch Jim Hall on Friday, June 11, and Sonny Rollins the…
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Fuse Music Commentary Series: Jazz and the Piano Concerto –Revisiting the Jazz Side
What I’ve learned from three years of research and listening is that the piano concerto is an ideal vehicle with which individual composers can experiment
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